issue150:inkscape
Différences
Ci-dessous, les différences entre deux révisions de la page.
Les deux révisions précédentesRévision précédenteProchaine révision | Révision précédente | ||
issue150:inkscape [2019/11/07 11:13] – auntiee | issue150:inkscape [2019/11/07 14:03] (Version actuelle) – andre_domenech | ||
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Durant ces derniers mois, nous avons regardé les différentes façons de modifier dynamiquement votre contenu SVG quand il tourne dans un navigateur Web, en utilisant JavaScript. En faisant ces modifications sur un certain laps de temps, nous pouvons utiliser JS efficacement pour animer nos fichiers SVG. | Durant ces derniers mois, nous avons regardé les différentes façons de modifier dynamiquement votre contenu SVG quand il tourne dans un navigateur Web, en utilisant JavaScript. En faisant ces modifications sur un certain laps de temps, nous pouvons utiliser JS efficacement pour animer nos fichiers SVG. | ||
- | Nous avons déjà une animation dans notre série : dans la partie 75, nous avons regardé des animations simples avec CSS, puis dans les parties 76 et 77, nous sommes passés à des animations avec SMIL. À ce moment-là, j'ai fait un commentaire pour indiquer que SMIL était une technologie en fin de vie, en grande partie parce que Microsoft ne l' | + | Nous avons déjà une animation dans notre série : dans la partie 75, nous avons regardé des animations simples avec CSS, puis dans les parties 76 et 77, nous sommes passés à des animations avec SMIL. À ce moment-là, j'ai fait un commentaire pour indiquer que SMIL était une technologie en fin de vie, en grande partie parce que Microsoft ne l' |
**So we’re slightly stuck in limbo. SMIL offers huge power, but its time may be short. CSS animation is less powerful, but widely supported. However with JavaScript we can sort-of get the best of both worlds: as much power and flexibility as we need, in a way that has excellent cross-browser support. | **So we’re slightly stuck in limbo. SMIL offers huge power, but its time may be short. CSS animation is less powerful, but widely supported. However with JavaScript we can sort-of get the best of both worlds: as much power and flexibility as we need, in a way that has excellent cross-browser support. | ||
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Ainsi, nous sommes un peu dans le flou. SMIL offre une puissance énorme, mais son temps est sans doute compté. Les animations avec CSS sont moins puissantes, mais largement supportées. Cependant, avec JavaScript, nous pouvons avoir, en quelque sorte, le meilleur des deux mondes : autant de puissance et de flexibilité que nous voulons, avec le fait qu'il a un excellent support multi-navigateurs. | Ainsi, nous sommes un peu dans le flou. SMIL offre une puissance énorme, mais son temps est sans doute compté. Les animations avec CSS sont moins puissantes, mais largement supportées. Cependant, avec JavaScript, nous pouvons avoir, en quelque sorte, le meilleur des deux mondes : autant de puissance et de flexibilité que nous voulons, avec le fait qu'il a un excellent support multi-navigateurs. | ||
- | Bien sûr, les choses ne sont pas toutes roses. Quand nous utilisons des animations avec SMIL ou CSS, nous privilégions une approche plutôt légère des choses. Votre saisie est une simple instruction : « Animer cet objet de A à B, en 5 secondes ». Vous n'avez pas besoin de dire comment la position de votre objet changera d'une trame à l' | + | Bien sûr, les choses ne sont pas toutes roses. Quand nous utilisons des animations avec SMIL ou CSS, nous privilégions une approche plutôt légère des choses. Votre saisie est une simple instruction : « Animer cet objet de A à B, en 5 secondes ». Vous n'avez pas besoin de dire comment la position de votre objet changera d'une trame à l' |
**So JS animation gives you flexibility, | **So JS animation gives you flexibility, | ||
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**If you were to load that file into Inkscape, it should look like the image below. The page boundary is a square of 100×100 units, as defined in the viewBox attribute. The square itself is positioned with its top left corner at 10 units down, and 10 units across from the origin (the top-left of the page in SVG). Remember these units are not pixels – the image will actually be scaled to fit the available space in the browser window. By using a 100×100 viewBox it can be convenient to think of the values as percentages, | **If you were to load that file into Inkscape, it should look like the image below. The page boundary is a square of 100×100 units, as defined in the viewBox attribute. The square itself is positioned with its top left corner at 10 units down, and 10 units across from the origin (the top-left of the page in SVG). Remember these units are not pixels – the image will actually be scaled to fit the available space in the browser window. By using a 100×100 viewBox it can be convenient to think of the values as percentages, | ||
- | Si vous chargiez ce fichier dans Inkscape, il ressemblerait à l' | + | Si vous chargiez ce fichier dans Inkscape, il ressemblerait à l' |
**We’re going to animate the “x” attribute from its starting value of 10 up to a value of 90. Because the square is 30 units wide, this will leave it hanging off the right-hand side of the screen when the animation finishes. I’ve done this to demonstrate a key difference between animating the content of an SVG file, and animating a <div> or other box in an HTML page: in the latter case the page width will grow and a horizontal scroll bar will appear (unless you specifically prevent that behaviour). With an SVG file, anything outside the viewBox simply isn’t rendered, making it easier to have animations that start or end ‘off-screen’. Think of it a little like a theatre stage, with your props and characters moving to and from the wings.** | **We’re going to animate the “x” attribute from its starting value of 10 up to a value of 90. Because the square is 30 units wide, this will leave it hanging off the right-hand side of the screen when the animation finishes. I’ve done this to demonstrate a key difference between animating the content of an SVG file, and animating a <div> or other box in an HTML page: in the latter case the page width will grow and a horizontal scroll bar will appear (unless you specifically prevent that behaviour). With an SVG file, anything outside the viewBox simply isn’t rendered, making it easier to have animations that start or end ‘off-screen’. Think of it a little like a theatre stage, with your props and characters moving to and from the wings.** | ||
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setTimeout(moveSquare, | setTimeout(moveSquare, | ||
- | Avez-vous | + | Avez-vous |
setTimeout(moveSquare, | setTimeout(moveSquare, | ||
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clearInterval(i); | clearInterval(i); | ||
- | Bon. Je ne pense pas que ça inquiète beaucoup Pixar, mais il est vraiment | + | Bon. Je ne pense pas que ça inquiète beaucoup Pixar, mais il est bel et bien animé. La création d'une longue liste d' |
var i = setInterval(moveSquare, | var i = setInterval(moveSquare, | ||
- | < | + | < |
clearInterval(i); | clearInterval(i); | ||
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Still a bit fast for you? Increase the delay in the setInterval() call. Not fast enough? You can reduce the delay further, but browsers clamp setTimeout() and setInterval() to a lower limit, so it probably won’t have much effect. Instead you can increase the delta value so the square moves two or three units at a time. Or 4.25 if you want – neither JS nor SVG require everything to be integers.** | Still a bit fast for you? Increase the delay in the setInterval() call. Not fast enough? You can reduce the delay further, but browsers clamp setTimeout() and setInterval() to a lower limit, so it probably won’t have much effect. Instead you can increase the delta value so the square moves two or three units at a time. Or 4.25 if you want – neither JS nor SVG require everything to be integers.** | ||
- | Maintenant que nous n' | + | Maintenant que nous n' |
var delta = 1; | var delta = 1; | ||
var i = setInterval(moveSquare, | var i = setInterval(moveSquare, | ||
- | < | + | < |
clearInterval(i); | clearInterval(i); | ||
- | Est-ce encore un peu rapide pour vous ? Augmentez le délai dans l' | + | Est-ce encore un peu rapide pour vous ? Augmentez le délai dans l' |
**For a long time setTimeout() and setInterval() were the only practical way to run some JavaScript at the sort of regular intervals needed for animation. Over the past few years, however, browsers have gained more support for technologies needed to run games – 2D bitmap canvases, 3D graphics and a little thing called requestAnimationFrame(). In case the name didn’t give it away, this function is intended to make animation a little easier. Specifically it does so by calling a function just before the browser is about to display the next frame on screen (typically about 60 times per second). It’s like a setTimeout() where the delay is automatically set to to an optimal value by the browser.** | **For a long time setTimeout() and setInterval() were the only practical way to run some JavaScript at the sort of regular intervals needed for animation. Over the past few years, however, browsers have gained more support for technologies needed to run games – 2D bitmap canvases, 3D graphics and a little thing called requestAnimationFrame(). In case the name didn’t give it away, this function is intended to make animation a little easier. Specifically it does so by calling a function just before the browser is about to display the next frame on screen (typically about 60 times per second). It’s like a setTimeout() where the delay is automatically set to to an optimal value by the browser.** | ||
- | Pendant longtemps, setTimeout() et setInterval() furent la seule façon pratique de lancer du Javascript à des intervalles réguliers nécessaires à une animation. Dans les dernières années, cependant, les navigateurs ont disposé d'un support pour les technologies nécessaires pour faire tourner des jeux - canevas 2D en bitmap, affichage 3D et une petite chose appelée requestAnimationFrame(). Au cas où le nom ne vous dit rien, cette fonction a tendance à faciliter la réalisation d'une animation. En particlulier, elle le fait en appelant une fonction juste avant que le navigateur ne se mette à afficher la trame suivante sur l' | + | Pendant longtemps, setTimeout() et setInterval() furent la seule façon pratique de lancer du JavaScript aux intervalles réguliers nécessaires à une animation. Dans les dernières années, cependant, les navigateurs ont disposé d'un support pour les technologies nécessaires pour faire tourner des jeux : canevas 2D en bitmap, affichage 3D et une petite chose appelée requestAnimationFrame(). Au cas où le nom ne vous dit rien, cette fonction a tendance à faciliter la réalisation d'une animation. En particulier, elle le fait en appelant une fonction juste avant que le navigateur ne se mette à afficher la trame suivante sur l' |
**In human terms 1/60 of a second is a pretty short delay, so to test this in the console you will probably want to increate the “delta” variable again, so that it’s more obvious that your square moves. | **In human terms 1/60 of a second is a pretty short delay, so to test this in the console you will probably want to increate the “delta” variable again, so that it’s more obvious that your square moves. | ||
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Now you might be expecting me to introduce an equivalent animation function to setInterval(), | Now you might be expecting me to introduce an equivalent animation function to setInterval(), | ||
- | À l' | + | À l' |
var delta = 10; | var delta = 10; | ||
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requestAnimationFrame(moveSquare); | requestAnimationFrame(moveSquare); | ||
- | Maintenant, vous attendez peut-être de moi que je vous présente une fonction d' | + | Maintenant, vous attendez peut-être de moi que je vous présente une fonction d' |
**We’ll create a different animation function (shown above) for this next example. It’s similar to the previous one, except that it always moves the square by 1 unit, and stops when it reaches the right-hand side, rather than looping back round. This latter change is mainly so that the code doesn’t keep running indefinitely, | **We’ll create a different animation function (shown above) for this next example. It’s similar to the previous one, except that it always moves the square by 1 unit, and stops when it reaches the right-hand side, rather than looping back round. This latter change is mainly so that the code doesn’t keep running indefinitely, | ||
- | Nous créerons une fonction d' | + | Nous créerons une fonction d' |
**Now we’ve got an animation running, but we don’t really have any control over it. The duration of the animation will depend on how frequently requestAnimationFrame() fires in your browser, and all we can do is change “+ 1” to a different value to make the square move more or less on each iteration. But really that’s all we need to be able to do. So long as we know the exact time that the function is called, we can calculate how far into the animation we are, and therefore what position the square should be at. To achieve this, the function that is called by getAnimationFrame() receives a single parameter: a high-resolution timestamp.** | **Now we’ve got an animation running, but we don’t really have any control over it. The duration of the animation will depend on how frequently requestAnimationFrame() fires in your browser, and all we can do is change “+ 1” to a different value to make the square move more or less on each iteration. But really that’s all we need to be able to do. So long as we know the exact time that the function is called, we can calculate how far into the animation we are, and therefore what position the square should be at. To achieve this, the function that is called by getAnimationFrame() receives a single parameter: a high-resolution timestamp.** | ||
- | Maintenant, notre animation tourne, mais nous n' | + | Maintenant, notre animation tourne, mais nous n' |
**Let’s work on a practical example: suppose we want our animation to take 10 seconds. At 60 frames per second that’s about 600 movements our square will make, each of them a fraction of a unit. We could divide the total distance by 600 to calculate the exact amount of movement, but that will fail if we run the code on something that refreshes at 30 or 120 frames per second, or if some frames get dropped due to the load on the machine. A better idea is to track how long has passed since the start of the animation, and use that to calculate where the object should be. We can then set the coordinates to the new value, before we fire off another requestAnimationFrame() for the next step in the animation.** | **Let’s work on a practical example: suppose we want our animation to take 10 seconds. At 60 frames per second that’s about 600 movements our square will make, each of them a fraction of a unit. We could divide the total distance by 600 to calculate the exact amount of movement, but that will fail if we run the code on something that refreshes at 30 or 120 frames per second, or if some frames get dropped due to the load on the machine. A better idea is to track how long has passed since the start of the animation, and use that to calculate where the object should be. We can then set the coordinates to the new value, before we fire off another requestAnimationFrame() for the next step in the animation.** | ||
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**The parameter that gets passed to our function is a value in milliseconds since the document was loaded. We don’t really care about that specific point in time – we need to know how long the animation itself has been running. What we need to do, therefore, is to record the timestamp the first time our function is called. On subsequent calls we can subtract that value from the latest timestamp to work out how far along the animation timeline we have progressed.** | **The parameter that gets passed to our function is a value in milliseconds since the document was loaded. We don’t really care about that specific point in time – we need to know how long the animation itself has been running. What we need to do, therefore, is to record the timestamp the first time our function is called. On subsequent calls we can subtract that value from the latest timestamp to work out how far along the animation timeline we have progressed.** | ||
- | Le paramètre qui a été passé à notre fonction quand le document a été chargé est une valeur en millisecondes. Nous ne nous soucions vraiment pas de ce point spécifique au bon moment | + | Le paramètre qui a été passé à notre fonction quand le document a été chargé est une valeur en millisecondes. Nous ne nous soucions vraiment pas de ce moment |
**Let’s start by initialising a few variables. We’ll create a variable to hold our starting position, setting it to 10. Next we have a “duration” (in milliseconds) to hold the time we want our animation to run for, and “endX” for the X coordinate we want to end up with. Putting these into variables makes it easier to modify the animation to run at a different speed or cover a different distance. Finally we’ll include a “startTime” variable, with an “undefined” value initially, into which we’ll store a copy of the timestamp we receive the first time our animation code is called. | **Let’s start by initialising a few variables. We’ll create a variable to hold our starting position, setting it to 10. Next we have a “duration” (in milliseconds) to hold the time we want our animation to run for, and “endX” for the X coordinate we want to end up with. Putting these into variables makes it easier to modify the animation to run at a different speed or cover a different distance. Finally we’ll include a “startTime” variable, with an “undefined” value initially, into which we’ll store a copy of the timestamp we receive the first time our animation code is called. | ||
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**Now for our reworked animation function. The main animation code is fairly similar to the previous incarnation, | **Now for our reworked animation function. The main animation code is fairly similar to the previous incarnation, | ||
- | Pour ce qui est de notre fonction d' | + | Pour ce qui est de notre fonction d' |
**By storing the initial timestamp outside the function, we can calculate how long the animation has been running. Since the two timestamps are in milliseconds, | **By storing the initial timestamp outside the function, we can calculate how long the animation has been running. Since the two timestamps are in milliseconds, | ||
- | En enregistrant l' | + | En enregistrant l' |
**Running this should produce a smooth animation that takes 10s to complete. Re-run the previous block of “var” lines to reset everything, then the final requestAnimationFrame() call to kick it off again. Try changing the values in the variables to alter the distance the square moves, or the time it takes to perform the animation. In every case you should find that the animation is, if not smooth, at least a lot smoother than you saw with setTimeout() and setInterval().** | **Running this should produce a smooth animation that takes 10s to complete. Re-run the previous block of “var” lines to reset everything, then the final requestAnimationFrame() call to kick it off again. Try changing the values in the variables to alter the distance the square moves, or the time it takes to perform the animation. In every case you should find that the animation is, if not smooth, at least a lot smoother than you saw with setTimeout() and setInterval().** | ||
- | En tournant, il produira une animation fluide qui prendra 10 s en tout. Relancez le bloc précédent des lignes « var » pour tout remettre à zéro, puis finissez avec un dernier appel requestAnimationFrame() pour redémarrer. Essayez de changer les valeurs des variables pour modifier la distance de déplacement du carré, ou le temps pris pour dérouler l' | + | Une fois lancé, il produira une animation fluide qui prendra 10 s. en tout. Relancez le bloc précédent des lignes « var » pour tout remettre à zéro, puis finissez avec un dernier appel requestAnimationFrame() pour redémarrer. Essayez de changer les valeurs des variables pour modifier la distance de déplacement du carré, ou le temps pris pour dérouler l' |
**Creating all these variables outside a function (so-called “global” variables) is generally seen as bad form in the programming world. It also makes it tricky to animate more than one thing, as they’ll all potentially be sharing the same global variables. A better approach is to encapsulate all the variables in a single JavaScript object, then attach that to the SVG element you’re trying to manipulate. Here’s the code above rewritten to work in this way (shown right).** | **Creating all these variables outside a function (so-called “global” variables) is generally seen as bad form in the programming world. It also makes it tricky to animate more than one thing, as they’ll all potentially be sharing the same global variables. A better approach is to encapsulate all the variables in a single JavaScript object, then attach that to the SVG element you’re trying to manipulate. Here’s the code above rewritten to work in this way (shown right).** | ||
- | La création de toutes ces variables en dehors d'une fonction (appelées variables « globales ») est généralement vu comme une mauvaise pratique dans le monde de la programmation. Cela rend difficile l' | + | La création de toutes ces variables en dehors d'une fonction (appelées variables « globales ») est généralement vu comme une mauvaise pratique dans le monde de la programmation. Cela rend difficile l' |
**Notice that I’ve removed the “X” from the end of the parameter names, and created a new “attribute” entry with a value of “x”. This starts to make the code more generic: you could change the “x” to a “y” in order to animate movement in the vertical direction, or “r” to animate the radius of a circle. | **Notice that I’ve removed the “X” from the end of the parameter names, and created a new “attribute” entry with a value of “x”. This starts to make the code more generic: you could change the “x” to a “y” in order to animate movement in the vertical direction, or “r” to animate the radius of a circle. | ||
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**At the moment our animation is also strictly linear: the attributes are changed at a constant rate over time. More “natural” animation can be achieved with rates that vary – accelerating and decelerating | **At the moment our animation is also strictly linear: the attributes are changed at a constant rate over time. More “natural” animation can be achieved with rates that vary – accelerating and decelerating | ||
- | Pour l' | + | Pour l' |
issue150/inkscape.txt · Dernière modification : 2019/11/07 14:03 de andre_domenech