issue72:critique_litteraire
Différences
Ci-dessous, les différences entre deux révisions de la page.
Les deux révisions précédentesRévision précédenteProchaine révision | Révision précédente | ||
issue72:critique_litteraire [2013/07/27 22:08] – fcm_-_ekel | issue72:critique_litteraire [2013/08/02 16:09] (Version actuelle) – andre_domenech | ||
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If you’ve always wanted a full manual for GIMP, then The Book of GIMP is about as close as you’ll get. Covering GIMP 2.8 and almost every feature of it, you’ll be a GIMP master in no time.//** | If you’ve always wanted a full manual for GIMP, then The Book of GIMP is about as close as you’ll get. Covering GIMP 2.8 and almost every feature of it, you’ll be a GIMP master in no time.//** | ||
- | Le livre de Gimp | + | Book of Gimp |
- | Éditeur: No Starch Press Pages: 676 janvier 2013, 676 p ISBN: 978-1-59327-383-5 http:// | + | Éditeur: No Starch Press |
+ | Pages: 676 | ||
+ | janvier 2013, 676 p | ||
+ | ISBN: 978-1-59327-383-5 | ||
+ | http:// | ||
- | Si vous avez toujours voulu un manuel complet pour GIMP, alors Le Livre de GIMP est ce que vous obtiendrez de plus proche. Couvrant GIMP 2.8 et presque toutes les caractéristiques de celui-ci, vous serez un maître | + | Si vous avez toujours voulu un manuel complet pour GIMP, alors Le Livre de GIMP est ce que vous obtiendrez de plus proche |
**//The book starts with learning the basics, such as the screen layout (single window FTW!), opening and resizing images, using layers, and how to use a graphics tablet in GIMP. After that, it’s into the deep end with photograph retouching stuff like cloning, color correction, and restoration. “Drawing and Illustration” comes next, including using the paint/ | **//The book starts with learning the basics, such as the screen layout (single window FTW!), opening and resizing images, using layers, and how to use a graphics tablet in GIMP. After that, it’s into the deep end with photograph retouching stuff like cloning, color correction, and restoration. “Drawing and Illustration” comes next, including using the paint/ | ||
- | Le livre commence par l' | + | Le livre commence par l' |
**//Having survived Part One, you’re thrust into Part Two, which goes into the features of GIMP in more depth—such as showing you layer masks, layer blending modes, tools, and filters. Even dipping into things like scanning, installing plug-ins (such as the awesome G’MIC) and then customizing your GIMP interface. | **//Having survived Part One, you’re thrust into Part Two, which goes into the features of GIMP in more depth—such as showing you layer masks, layer blending modes, tools, and filters. Even dipping into things like scanning, installing plug-ins (such as the awesome G’MIC) and then customizing your GIMP interface. | ||
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Part Three (the finale) is interesting in that it gives some good information on how the human eye works regarding vision, perception and color representation. I thought that was a nice touch.//** | Part Three (the finale) is interesting in that it gives some good information on how the human eye works regarding vision, perception and color representation. I thought that was a nice touch.//** | ||
- | Ayant survécu à la première partie, vous êtes plongé dans la deuxième partie, | + | Ayant survécu à la première partie, vous êtes plongé dans la deuxième partie, |
- | Troisième | + | La troisième |
**//I really can’t fault The Book of GIMP. It’s well laid out, tells you exactly where you need to go in the menus (for example: Image: Edit > Copy), gives you the keyboard shortcut where possible, and has plenty of screenshots of where you’re going. The book is certainly no short read as it’s about two inches thick with almost 700 pages! Of course, if you buy the book from No Starch Press (the publishers) they also give you access to a digital (PDF) copy of the book, which is nice. | **//I really can’t fault The Book of GIMP. It’s well laid out, tells you exactly where you need to go in the menus (for example: Image: Edit > Copy), gives you the keyboard shortcut where possible, and has plenty of screenshots of where you’re going. The book is certainly no short read as it’s about two inches thick with almost 700 pages! Of course, if you buy the book from No Starch Press (the publishers) they also give you access to a digital (PDF) copy of the book, which is nice. | ||
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If I had to pick one down-side, it would be that some examples look quite amateurish and simplistic (such as combining photographs to create something completely unrealistic), | If I had to pick one down-side, it would be that some examples look quite amateurish and simplistic (such as combining photographs to create something completely unrealistic), | ||
- | Je ne peux vraiment pas mettre en défaut Le Livre de GIMP. Il est bien conçu, vous indique exactement où vous devez aller dans les menus (par exemple: Image : Éditer > Copier), vous donne le raccourci clavier | + | The Book of GIMP est quasi irréprochable. Il est bien conçu, vous indique exactement où vous devez aller dans les menus (par exemple: Image : Éditer > Copier), vous donne le raccourci clavier |
- | Si je devais choisir un point négatif, ce serait que quelques exemples ont l' | + | Si je devais choisir un point négatif, ce serait que quelques exemples ont l'air simpliste, comme faits par un amateur (notamment |
**//Table of Contents | **//Table of Contents | ||
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F. Batch Processing// | F. Batch Processing// | ||
- | Table des matières | + | Table des matières |
Introduction | Introduction | ||
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1. Mise en route | 1. Mise en route | ||
2. Retoucher des photos | 2. Retoucher des photos | ||
- | 3. Dessin et Illustration | + | 3. Dessin et illustration |
4. Logos et textures | 4. Logos et textures | ||
5. Photographie composite | 5. Photographie composite | ||
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7. Pré-traitement de l' | 7. Pré-traitement de l' | ||
8. Concevoir un site internet | 8. Concevoir un site internet | ||
- | II. GIMP Manuel de référence | + | II. Manuel de référence |
9. L' | 9. L' | ||
- | 10. Afficher | + | 10. L' |
11. Les couches | 11. Les couches | ||
12. La couleur | 12. La couleur | ||
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19. L' | 19. L' | ||
20. Les formats d' | 20. Les formats d' | ||
- | 21. Les scripts et les plug-ins | + | 21. Les scripts et les greffons |
22. La personnalisation de GIMP | 22. La personnalisation de GIMP | ||
III. Annexes | III. Annexes | ||
- | A. **Vision | + | A. La vue et la représentation d' |
B. Conseils et astuces pour les exercices sélectionnés | B. Conseils et astuces pour les exercices sélectionnés | ||
C. Ressources | C. Ressources |
issue72/critique_litteraire.1374955690.txt.gz · Dernière modification : 2013/07/27 22:08 de fcm_-_ekel