issue169:c_c
Différences
Ci-dessous, les différences entre deux révisions de la page.
| Les deux révisions précédentesRévision précédenteProchaine révision | Révision précédente | ||
| issue169:c_c [2021/06/04 09:17] – d52fr | issue169:c_c [2021/06/06 16:12] (Version actuelle) – auntiee | ||
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| This time we will take a different approach, as not all people learn in the same way. This time we will shoot first and ask questions later. So do as I do and we can make our awful cover/mix together. I have decided on something SIMPLE, yet very recognizable. Ray Parker jnr, Ghostbusters. If you don’t know, see: https:// | This time we will take a different approach, as not all people learn in the same way. This time we will shoot first and ask questions later. So do as I do and we can make our awful cover/mix together. I have decided on something SIMPLE, yet very recognizable. Ray Parker jnr, Ghostbusters. If you don’t know, see: https:// | ||
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| + | Beaucoup de gens critiquent LMMS et la création musicale sous Linux en général, parce qu'ils ne connaissent pas JACK. Cependant, vous n'avez pas besoin de connaître JACK pour faire de la musique. Je ne l' | ||
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| + | Cette fois-ci, nous allons adopter une approche différente, | ||
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| **I am going to skip the drums for now – let us just distil the melody. I want you to keep the melody in your heads, pa-pa-pa paa… Now open LMMS and clear what is there in the song editor. I am going to drag in the “orion string01” and double-click in the very first black block, or right-click > open piano roll. This is where we will make our melody. (You should see it change to a lighter color when you do.) | **I am going to skip the drums for now – let us just distil the melody. I want you to keep the melody in your heads, pa-pa-pa paa… Now open LMMS and clear what is there in the song editor. I am going to drag in the “orion string01” and double-click in the very first black block, or right-click > open piano roll. This is where we will make our melody. (You should see it change to a lighter color when you do.) | ||
| I have no formal music training so I chose C4 for that base buzz (don’t worry, it won’t stay here or even on this instrument, we just want to lay down a foundation). That base buzz will just repeat over and over, so draw it in, copy & paste it in, I don’t care, but plop down about sixteen (16) bars of them. When I use the word “bar”, I am referring to the first sixteen (16) blocks that go up to the double line, horizontally. Half notes and quarter notes please (half notes then will be eight (8) blocks long, and quarter notes, four (4) blocks long. If your note is longer or shorter, grab it by the little white nip you see at the end, and drag it to the correct size. If you click on a note, the icon should change to a hand, and you can move it if it is in the wrong position. See the image, and monkey see, monkey do. ** | I have no formal music training so I chose C4 for that base buzz (don’t worry, it won’t stay here or even on this instrument, we just want to lay down a foundation). That base buzz will just repeat over and over, so draw it in, copy & paste it in, I don’t care, but plop down about sixteen (16) bars of them. When I use the word “bar”, I am referring to the first sixteen (16) blocks that go up to the double line, horizontally. Half notes and quarter notes please (half notes then will be eight (8) blocks long, and quarter notes, four (4) blocks long. If your note is longer or shorter, grab it by the little white nip you see at the end, and drag it to the correct size. If you click on a note, the icon should change to a hand, and you can move it if it is in the wrong position. See the image, and monkey see, monkey do. ** | ||
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| + | Je vais laisser de côté la batterie pour l' | ||
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| + | Je n'ai pas de formation musicale formelle, j'ai donc choisi C4 pour ce buzz de base (ne vous inquiétez pas, il ne restera pas ici ou même sur cet instrument, nous voulons juste poser une base). Ce buzz de base va se répéter encore et encore, alors dessinez-le, | ||
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| **Feel free to hit play at ANY TIME to listen to what you have made. | **Feel free to hit play at ANY TIME to listen to what you have made. | ||
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| We will make the file available for download if you don’t come right, but I highly recommend you draw the notes yourself. Hit play again. Can you hear the Ghostbusters tune?** | We will make the file available for download if you don’t come right, but I highly recommend you draw the notes yourself. Hit play again. Can you hear the Ghostbusters tune?** | ||
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| + | N' | ||
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| + | La mélodie, vous pouvez aussi la copier à partir de mes images, je donnerai trois (3) mesures à la fois, car le magazine n'est pas trop large. Copiez, copiez, copiez, pour le moment. (Ils se suivent horizontalement.) | ||
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| + | Bloc 1 : | ||
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| + | Bloc 2 : | ||
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| + | Bloc 3 : | ||
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| + | Bloc 4 : | ||
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| + | Et c'est tout ! Maintenant, réduisez également le buzz de base à douze mesures. | ||
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| + | Nous mettrons le fichier à disposition pour téléchargement si vous n'y arrivez pas, mais je vous recommande vivement de dessiner les notes vous-même. Recommencez à jouer. Entendez-vous l'air de S.O.S. Fantômes ? | ||
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| **This is how *I make a tune, you may work differently. I am making this tutorial for people who do not have fancy keyboards and MIDI instruments. You should be able to do everything I do with only Ubuntu OS and LMMS. Who knows, you may be the next Italo-disco remix king/queen. | **This is how *I make a tune, you may work differently. I am making this tutorial for people who do not have fancy keyboards and MIDI instruments. You should be able to do everything I do with only Ubuntu OS and LMMS. Who knows, you may be the next Italo-disco remix king/queen. | ||
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| Next issue, we will start deconstructing and rebuilding and adding to make something of our own. ** | Next issue, we will start deconstructing and rebuilding and adding to make something of our own. ** | ||
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| + | Voici comment moi, je crée un morceau ; vous pouvez travailler différemment. Je fais ce tutoriel pour les personnes qui n'ont pas de claviers sophistiqués ou d' | ||
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| + | Même si cela ressemble déjà à un morceau, ce qui est amusant c'est de le modifier. Nous voulons le démonter et voir ce qu'il y a à l' | ||
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| + | Vous vous souvenez que je vous ai dit de garder la mélodie dans la tête ? Chantez-la en jouant la vôtre. Est-ce que ça sonne bien ? Alors c'est génial ! Si ce n'est pas le cas, changez-la. N' | ||
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| + | Prêt à tout démonter ? | ||
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| + | Dans le prochain numéro, nous commencerons à le déconstruire, | ||
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| **Agree or disagree? Let us know on: misc@fullcirclemagazine.org | **Agree or disagree? Let us know on: misc@fullcirclemagazine.org | ||
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| I am using LMMS version 1.13, but anything above version 0.99 will do. | I am using LMMS version 1.13, but anything above version 0.99 will do. | ||
| - | When you are done, it should look something like this: | + | When you are done, it should look something like this:** |
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| + | D' | ||
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| + | Vous vous êtes lancé et avez fait votre propre truc ? Pourquoi ne pas nous l' | ||
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| + | J' | ||
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| + | Quand vous avez terminé, cela devrait ressembler à quelque chose comme ceci : | ||
issue169/c_c.1622791057.txt.gz · Dernière modification : 2021/06/04 09:17 de d52fr
