numero61:tuto_gimp_p._21-23
Différences
Ci-dessous, les différences entre deux révisions de la page.
Les deux révisions précédentesRévision précédenteProchaine révision | Révision précédente | ||
numero61:tuto_gimp_p._21-23 [2012/07/05 14:39] – albinoz | numero61:tuto_gimp_p._21-23 [2012/07/08 12:00] (Version actuelle) – auntiee | ||
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**OK, so, we’ve got our sky recoloured and fading into the background; next, we want to have a little village below the sky.** | **OK, so, we’ve got our sky recoloured and fading into the background; next, we want to have a little village below the sky.** | ||
- | Ok, nous avons donc notre ciel recoloré et fondu dans l' | + | Ok, nous avons donc notre ciel recoloré et fondu dans l' |
**Sources: | **Sources: | ||
Ligne 21: | Ligne 21: | ||
Le village | Le village | ||
- | Importer la photo du village dans votre scène. Comment ? C'est ici que je sais si vous avez lu la première partie ou non. C'est le même travail : ouvrir | + | Importer la photo du village dans votre scène. Comment ? C'est ici que je sais si vous avez lu la première partie ou non. C'est le même travail : ouvrez |
**Should you see something like this, don’t panic** | **Should you see something like this, don’t panic** | ||
- | Si vous voyez quelque chose comme ça, ne paniquez pas. | + | Si vous voyez quelque chose comme ceci, ne paniquez pas. |
**If you look at the list of layers, you’ll see that the village layer is sandwiched between the sky and background images. We need the village to be at the top of the list. Simply drag it up above the sky layer.** | **If you look at the list of layers, you’ll see that the village layer is sandwiched between the sky and background images. We need the village to be at the top of the list. Simply drag it up above the sky layer.** | ||
Ligne 33: | Ligne 33: | ||
**Click the move icon, and drag the village layer down to the bottom of the image.** | **Click the move icon, and drag the village layer down to the bottom of the image.** | ||
- | Cliquez sur l' | + | Cliquez sur l' |
**We’re going to chop away some excess trees that are behind the village to give us a nice landscape.** | **We’re going to chop away some excess trees that are behind the village to give us a nice landscape.** | ||
Ligne 45: | Ligne 45: | ||
Sélections | Sélections | ||
- | Les outils de sélection sont ceux des plus importants de GIMP, car ils vous permettent d' | + | Les outils de sélection sont parmi les plus importants de GIMP, car ils vous permettent d' |
**Click the ‘Free Select Tool’ (shown left) and draw around the treeline keeping only full trees. Draw out the side of the image, and loop back to where you started. Press the Enter key on your keyboard to complete the selection.** | **Click the ‘Free Select Tool’ (shown left) and draw around the treeline keeping only full trees. Draw out the side of the image, and loop back to where you started. Press the Enter key on your keyboard to complete the selection.** | ||
- | Cliquez sur l' | + | Cliquez sur l' |
**You can, of course, go clockwise if you prefer.** | **You can, of course, go clockwise if you prefer.** | ||
Ligne 57: | Ligne 57: | ||
**Press the Delete key on your keyboard, and anything inside that selection will be removed.** | **Press the Delete key on your keyboard, and anything inside that selection will be removed.** | ||
- | Appuyez sur la touche « Suppr » de votre clavier, et tout ce qui se trouve à l' | + | Appuyez sur la touche « Suppr » de votre clavier et tout ce qui se trouve à l' |
**TIP: If you press the Delete key and the selected area shows black, then you’ll have to go to the menu, click Edit > Undo. Right click on the layers thumbnail, and choose ‘Add Alpha Channel’. Now you can press Delete to remove your selection. This extra ‘Add Alpha Channel’ step isn’t always necessary.** | **TIP: If you press the Delete key and the selected area shows black, then you’ll have to go to the menu, click Edit > Undo. Right click on the layers thumbnail, and choose ‘Add Alpha Channel’. Now you can press Delete to remove your selection. This extra ‘Add Alpha Channel’ step isn’t always necessary.** | ||
- | Astuce : si vous appuyez sur la touche « Suppr » et que la zone sélectionnée s' | + | Astuce : si vous appuyez sur la touche « Suppr » et que la zone sélectionnée s' |
**You can, if you like, go around the treeline and tweak it with the eraser, but for now we’ll cover it up with a layer mask. You do remember how to create a layer mask, don’t you? Yep, right clicking on the village layer, and choosing to add a white layer mask.** | **You can, if you like, go around the treeline and tweak it with the eraser, but for now we’ll cover it up with a layer mask. You do remember how to create a layer mask, don’t you? Yep, right clicking on the village layer, and choosing to add a white layer mask.** | ||
- | Vous pouvez, si vous le souhaitez, parcourir la ligne d' | + | Vous pouvez, si vous le souhaitez, parcourir la ligne d' |
**Use the rectangle select tool to select the top half of the village (below left) and, like last time, use a black and white linear gradient to fade the top part of the village.** | **Use the rectangle select tool to select the top half of the village (below left) and, like last time, use a black and white linear gradient to fade the top part of the village.** | ||
- | Utilisez | + | Utilisez l'« outil de sélection rectangulaire » pour sélectionner la moitié supérieure du village (cf. en bas à gauche) et, comme dans l' |
**Remember last time how I spoke about the layer mask as being non-destructive? | **Remember last time how I spoke about the layer mask as being non-destructive? | ||
- | Vous rappelez-vous que, dans la première partie, je vous ai dit que les masques de calque étaient non destructifs ? Et bien, voici une nouvelle | + | Vous rappelez-vous que, dans la première partie, je vous ai dit que les masques de calque étaient non destructifs ? Eh bien, voici une nouvelle |
**TIP: If you need to enlarge/ | **TIP: If you need to enlarge/ | ||
Ligne 81: | Ligne 81: | ||
**The idea here (shown below right) is to (on the layer mask!) paint white over some of the foreground trees to remove them from the fog effect in the background.** | **The idea here (shown below right) is to (on the layer mask!) paint white over some of the foreground trees to remove them from the fog effect in the background.** | ||
- | L' | + | L' |
**OK, let’s get our whopping great tree inserted and we’ll finish up part two.** | **OK, let’s get our whopping great tree inserted and we’ll finish up part two.** | ||
Ligne 89: | Ligne 89: | ||
**I’ll show you another quick way of inserting an image. Click the link above for the tree source. In your browser, right click the image and copy the image to the clipboard. Go to your main image in GIMP, and, in the menu, click Edit > Paste As > New Layer. Voila!** | **I’ll show you another quick way of inserting an image. Click the link above for the tree source. In your browser, right click the image and copy the image to the clipboard. Go to your main image in GIMP, and, in the menu, click Edit > Paste As > New Layer. Voila!** | ||
- | Je vais vous montrer une nouvelle manière rapide d' | + | Je vais vous montrer une nouvelle manière rapide d' |
**You’ll have to resize the layer to about 600 pixels wide, and move it down to have the tree roots halfway down the grassy part of the village. Clicking resize, and then on the tree, I’m unlinking the width and height numbers as I just want to stretch the tree vertically to about 650 high.** | **You’ll have to resize the layer to about 600 pixels wide, and move it down to have the tree roots halfway down the grassy part of the village. Clicking resize, and then on the tree, I’m unlinking the width and height numbers as I just want to stretch the tree vertically to about 650 high.** | ||
- | Vous devez redimensionner | + | Redimensionnez |
**Like we did with the village, it’s time to trim out the excess background, we just want to keep the tree. Time to click the free select tool and get to work.** | **Like we did with the village, it’s time to trim out the excess background, we just want to keep the tree. Time to click the free select tool and get to work.** | ||
Ligne 102: | Ligne 102: | ||
Finally, apply a layer mask to the tree layer, and select the top third of the tree and use the blend tool to fade the tree into the clouds.** | Finally, apply a layer mask to the tree layer, and select the top third of the tree and use the blend tool to fade the tree into the clouds.** | ||
- | Cette fois-ci nous voulons conserver ce qui est à l' | + | Cette fois-ci, nous voulons conserver ce qui est à l' |
- | Enfin, appliquez un masque de calque sur le calque de l' | + | Enfin, appliquez un masque de calque sur le calque de l' |
**One last thing, your homework for this lesson: use the Dodge/Burn tool on the village layer to paint a shadow from the tree across the grass.** | **One last thing, your homework for this lesson: use the Dodge/Burn tool on the village layer to paint a shadow from the tree across the grass.** | ||
- | En dernier lieu, voici vos devoirs pour cette lesson | + | En dernier lieu, voici vos devoirs pour cette leçon |
**In the final part of the Beanstalk image we’ll add some pizazz to the image.** | **In the final part of the Beanstalk image we’ll add some pizazz to the image.** | ||
- | Dans la dernière partie de l' | + | Dans la dernière partie de l' |
numero61/tuto_gimp_p._21-23.1341491971.txt.gz · Dernière modification : 2012/07/05 14:39 de albinoz