issue163:inkscape
Différences
Ci-dessous, les différences entre deux révisions de la page.
Les deux révisions précédentesRévision précédenteProchaine révision | Révision précédente | ||
issue163:inkscape [2020/12/02 15:28] – d52fr | issue163:inkscape [2020/12/03 15:07] (Version actuelle) – andre_domenech | ||
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Bien qu' | Bien qu' | ||
- | Outils d' | + | ••Outils d' |
- | Outils de forme - pour créer et modifier des formes géométriques : Rectangle et carré, Cercle et ellipse, Étoiles et polygones, Boîte 3D, Spirale | + | ••Outils de forme, pour créer et modifier des formes géométriques : Rectangle et carré, Cercle et ellipse, Étoiles et polygones, Boîte 3D, Spirale. |
- | Outils primitifs | + | ••Outils primitifs, pour créer des objets de base : Outil courbe de Bézier, |
- | Outils de couleur | + | ••Outils de couleur, pour travailler avec des couleurs et des dégradés : Outil de gradient, |
- | Autres outils | + | ••Autres outils, outils divers non inclus dans les autres sections : Outil de mise au point, Outil de pulvérisation, |
- | Outils de toile - pour manipuler la vue de la toile : Outil de zoom, Outil de mesure | + | ••Outils de toile, pour manipuler la vue de la toile : Outil de zoom, Outil de mesure. |
**These are my descriptions, | **These are my descriptions, | ||
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The order of the tools is now defined by an XML file that is read when Inkscape starts up. You can override this file by creating an edited copy in your user config directory. First you’ll need to find the paths for the shared folder (where the original file lives) and your user config directory. You can find the latter, and hints to the location of the former, by opening the Inkscape preferences dialog (Edit > Preferences) and selecting the System panel.** | The order of the tools is now defined by an XML file that is read when Inkscape starts up. You can override this file by creating an edited copy in your user config directory. First you’ll need to find the paths for the shared folder (where the original file lives) and your user config directory. You can find the latter, and hints to the location of the former, by opening the Inkscape preferences dialog (Edit > Preferences) and selecting the System panel.** | ||
- | Ce sont mes descriptions, | + | Ce sont mes descriptions, |
Outils de réorganisation | Outils de réorganisation | ||
- | L' | + | L' |
**Open a file manager, then navigate to the path shown in the “Inkscape data” field. That may well be a directory that’s shared with multiple programs, as is the case with the /usr/share value in my screenshot. Use the search facility in your file manager to find a file named “toolbar-tool.ui”, | **Open a file manager, then navigate to the path shown in the “Inkscape data” field. That may well be a directory that’s shared with multiple programs, as is the case with the /usr/share value in my screenshot. Use the search facility in your file manager to find a file named “toolbar-tool.ui”, | ||
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Once you’ve found the file, open a second file manager with the path from the “User config” field as its location. This should be pretty easy, as the Inkscape developers have provided a handy “Open” button right next to the field.** | Once you’ve found the file, open a second file manager with the path from the “User config” field as its location. This should be pretty easy, as the Inkscape developers have provided a handy “Open” button right next to the field.** | ||
- | Ouvrez un gestionnaire de fichiers, puis naviguez jusqu' | + | Ouvrez un gestionnaire de fichiers, puis naviguez jusqu' |
- | Sur ma machine, j'ai trouvé le fichier | + | Sur ma machine, j'ai trouvé le fichier |
- | Une fois que vous avez trouvé le fichier, ouvrez un deuxième gestionnaire de fichiers avec le chemin d' | + | Une fois que vous avez trouvé le fichier, ouvrez un deuxième gestionnaire de fichiers avec le chemin d' |
**Create a “ui” folder in your user config location, if one doesn’t already exist. Copy the “toolbar-tool.ui” file into it, making sure that you definitely copy rather than move the file. | **Create a “ui” folder in your user config location, if one doesn’t already exist. Copy the “toolbar-tool.ui” file into it, making sure that you definitely copy rather than move the file. | ||
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Quit Inkscape if it’s still running, and open the newly copied file using a text editor. It’s a fairly flat XML file which should be pretty self-explanatory. To move tools between groups simply re-order the lines in the file; to hide a tool completely, wrap it in “< | Quit Inkscape if it’s still running, and open the newly copied file using a text editor. It’s a fairly flat XML file which should be pretty self-explanatory. To move tools between groups simply re-order the lines in the file; to hide a tool completely, wrap it in “< | ||
- | Créez un dossier | + | Créez un dossier |
- | Quittez Inkscape s'il est toujours en cours d' | + | Quittez Inkscape s'il est toujours en cours d' |
**This new capability may be particularly useful when using Inkscape on a machine with a smaller screen. If there’s insufficient height to draw all the tools in the toolbox, Inkscape moves any excess tools into a pop-up menu at the bottom of the box. By moving the tools around in this configuration file, you can ensure that less useful ones end up in the pop-up while those you use commonly are always just one click away. | **This new capability may be particularly useful when using Inkscape on a machine with a smaller screen. If there’s insufficient height to draw all the tools in the toolbox, Inkscape moves any excess tools into a pop-up menu at the bottom of the box. By moving the tools around in this configuration file, you can ensure that less useful ones end up in the pop-up while those you use commonly are always just one click away. | ||
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Here’s a quick bonus tip: there’s also a “toolbar-commands.ui” file in the same directory which can be used to re-order and hide entries in the main Inkscape toolbar.** | Here’s a quick bonus tip: there’s also a “toolbar-commands.ui” file in the same directory which can be used to re-order and hide entries in the main Inkscape toolbar.** | ||
- | Cette nouvelle fonctionnalité peut être particulièrement utile lorsque vous utilisez Inkscape sur une machine avec un écran plus petit. Si la hauteur est insuffisante pour dessiner tous les outils dans la boîte à outils, Inkscape déplace les outils en excès | + | Cette nouvelle fonctionnalité peut être particulièrement utile lorsque vous utilisez Inkscape sur une machine avec un écran plus petit. Si la hauteur est insuffisante pour dessiner tous les outils dans la boîte à outils, Inkscape déplace les outils en trop dans un menu contextuel en bas de la boîte. En déplaçant les outils dans ce fichier de configuration, |
- | Voici un petit conseil en prime : il existe également un fichier | + | Voici un petit conseil en prime : il existe également un fichier |
**Bézier Tool | **Bézier Tool | ||
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Outil de Bézier | Outil de Bézier | ||
- | La barre de contrôle de l' | + | La barre de contrôle de l' |
- | En termes simples, il s'agit du mode "dessiner uniquement des lignes horizontales et verticales". Lorsque ce mode était activé, Inkscape vous permettait de ne dessiner qu'une séquence alternée de lignes horizontales et verticales. Vous pourriez changer de mode à mi-chemin - si vous vouliez passer en mode " | + | En termes simples, il s'agit du mode « dessiner uniquement des lignes horizontales et verticales |
**With 1.0, the layman’s term for this button would now be the “draw perpendicular lines” mode. Now the segments are constrained by the first segment you draw: the second segment will be perpendicular to it (i.e. at a 90° angle to the first segment), the third segment will be perpendicular to the second (i.e. at the same angle as the first), and so on. The first path segment can be drawn at any angle, essentially turning this into a version of the previous paraxial mode, but with built-in rotation. | **With 1.0, the layman’s term for this button would now be the “draw perpendicular lines” mode. Now the segments are constrained by the first segment you draw: the second segment will be perpendicular to it (i.e. at a 90° angle to the first segment), the third segment will be perpendicular to the second (i.e. at the same angle as the first), and so on. The first path segment can be drawn at any angle, essentially turning this into a version of the previous paraxial mode, but with built-in rotation. | ||
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If you still require precise horizontal and vertical segments, make sure to hold the Ctrl key when drawing the first segment. That will constrain the initial line to one of a fixed series of angles, defined in the Behaviour > Steps section of Inkscape’s preferences, | If you still require precise horizontal and vertical segments, make sure to hold the Ctrl key when drawing the first segment. That will constrain the initial line to one of a fixed series of angles, defined in the Behaviour > Steps section of Inkscape’s preferences, | ||
- | Avec la version 1.0, le terme profane | + | Avec la version 1.0, le terme simple |
- | Si vous avez toujours besoin de segments horizontaux et verticaux précis, assurez-vous de maintenir la touche Ctrl enfoncée lorsque vous dessinez le premier segment. | + | Si vous avez toujours besoin de segments horizontaux et verticaux précis, assurez-vous de maintenir la touche Ctrl enfoncée lorsque vous dessinez le premier segment. |
**Once again, you can switch to other modes mid-way through drawing a sequence of path segments, but the behaviour might not quite be what you expect. Consider drawing a series of paraxial paths at, say, a 30° initial angle. If you require a series of horizontal and vertical paths to continue the sequence, you might think that you can switch to the “straight line” mode, hold Ctrl to create your initial horizontal or vertical line, then switch back to paraxial mode to continue with further horizontal and vertical line segments. | **Once again, you can switch to other modes mid-way through drawing a sequence of path segments, but the behaviour might not quite be what you expect. Consider drawing a series of paraxial paths at, say, a 30° initial angle. If you require a series of horizontal and vertical paths to continue the sequence, you might think that you can switch to the “straight line” mode, hold Ctrl to create your initial horizontal or vertical line, then switch back to paraxial mode to continue with further horizontal and vertical line segments. | ||
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In practice, the paraxial mode remembers the initial path angle you used, not the most recent one. So, after switching back to paraxial mode, you would end up with further lines at 30° and 120°, not at the 0° and 90° you wanted. You can see this effect in the following example where the fourth segment was drawn vertically, but the fifth and subsequent segments are still constrained by the angle set with the very first segment.** | In practice, the paraxial mode remembers the initial path angle you used, not the most recent one. So, after switching back to paraxial mode, you would end up with further lines at 30° and 120°, not at the 0° and 90° you wanted. You can see this effect in the following example where the fourth segment was drawn vertically, but the fifth and subsequent segments are still constrained by the angle set with the very first segment.** | ||
- | Une fois de plus, vous pouvez passer à d' | + | À nouveau, vous pouvez passer à d' |
- | En pratique, le mode paraxial se souvient de l' | + | En pratique, le mode paraxial se souvient de l' |
**The workaround is to end your path, then start a new one. If the previous path is still selected, the Bézier tool lets you continue by starting your next line segment at the end node of the existing path. Each time you do this with paraxial mode enabled, the first segment you draw will be the reference segment for the remainder of that path. You can repeat this as many times as required to produce complex lines with differently oriented paraxial sections, interspersed with curves or lines at arbitrary angles. | **The workaround is to end your path, then start a new one. If the previous path is still selected, the Bézier tool lets you continue by starting your next line segment at the end node of the existing path. Each time you do this with paraxial mode enabled, the first segment you draw will be the reference segment for the remainder of that path. You can repeat this as many times as required to produce complex lines with differently oriented paraxial sections, interspersed with curves or lines at arbitrary angles. | ||
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There are two things that every sentence in this article has in common. Two basic rules of written English. They all start with a capital letter, and they all end with a punctuation character – usually a period (“full-stop” in British English), but often a question mark, exclamation mark, or colon. What all these characters have in common is that they require the ability to draw a dot. Given this fundamental requirement of written communication, | There are two things that every sentence in this article has in common. Two basic rules of written English. They all start with a capital letter, and they all end with a punctuation character – usually a period (“full-stop” in British English), but often a question mark, exclamation mark, or colon. What all these characters have in common is that they require the ability to draw a dot. Given this fundamental requirement of written communication, | ||
- | La solution consiste à mettre fin à votre parcours, puis à en entamer un nouveau. Si le chemin précédent est toujours sélectionné, | + | La solution consiste à mettre fin à votre parcours, puis à en entamer un nouveau. Si le chemin précédent est toujours sélectionné, |
Outil de calligraphie | Outil de calligraphie | ||
- | Toutes les phrases de cet article ont deux choses en commun. Deux règles de base de l' | + | Toutes les phrases de cet article ont deux choses en commun. Deux règles de base de l' |
**You could kind of fake it by drawing a small circular shape with the tool, but make the circle too small and Inkscape would ignore it, while too big resulted in a large misshapen splodge. With 1.0, the developers have added the ability to directly create a dot – but in a rather odd way that, in my opinion, doesn’t really address the underlying requirement. | **You could kind of fake it by drawing a small circular shape with the tool, but make the circle too small and Inkscape would ignore it, while too big resulted in a large misshapen splodge. With 1.0, the developers have added the ability to directly create a dot – but in a rather odd way that, in my opinion, doesn’t really address the underlying requirement. | ||
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You can also hold down the Shift key while performing the same operation to create a larger dot. Larger, in this case, means exactly twice the diameter of a small dot.** | You can also hold down the Shift key while performing the same operation to create a larger dot. Larger, in this case, means exactly twice the diameter of a small dot.** | ||
- | Vous pouvez | + | Vous pouviez faire semblant |
Pour dessiner un point, il suffit de cliquer avec le bouton principal de la souris, par opposition au cliquer-glisser lors du dessin d'un trait calligraphique. Comme ce bouton de la souris correspond généralement aussi à la pression de la pointe du stylet sur une tablette graphique, toute personne essayant d' | Pour dessiner un point, il suffit de cliquer avec le bouton principal de la souris, par opposition au cliquer-glisser lors du dessin d'un trait calligraphique. Comme ce bouton de la souris correspond généralement aussi à la pression de la pointe du stylet sur une tablette graphique, toute personne essayant d' | ||
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By rendering a circle, your dot is a pure shape, with no lumps, bumps or character to it. It doesn’t matter what your Calligraphy Tool settings are: you could be using the Wiggle or Splotchy preset, or have some custom values to create a frantically random stroke, but your dots will always be circular. Using the Dip Pen preset for a classic calligraphy style, with angled lines that would suit a diamond-shaped dot? Nope, you still get a circle.** | By rendering a circle, your dot is a pure shape, with no lumps, bumps or character to it. It doesn’t matter what your Calligraphy Tool settings are: you could be using the Wiggle or Splotchy preset, or have some custom values to create a frantically random stroke, but your dots will always be circular. Using the Dip Pen preset for a classic calligraphy style, with angled lines that would suit a diamond-shaped dot? Nope, you still get a circle.** | ||
- | Le fait que je puisse facilement vous dire qu'il est exactement - et non grossièrement - deux fois plus grand en diamètre révèle le premier problème de cette nouvelle caractéristique. Alors que les traits calligraphiques sont en fait créés comme des chemins remplis, ces points sont créés comme des cercles. Si vous souhaitez modifier un trait, un double-clic sur celui-ci vous permet de faire glisser | + | Le fait que je puisse facilement vous dire qu'il est exactement - et non grossièrement - deux fois plus grand en diamètre révèle le premier problème de cette nouvelle caractéristique. Alors que les traits calligraphiques sont en fait créés comme des chemins remplis, ces points sont créés comme des cercles. Si vous souhaitez modifier un trait, un double-clic sur celui-ci vous permet de faire déplacer |
- | En restituant un cercle, votre point est une forme pure, sans grumeaux, | + | En restituant un cercle, votre point est une forme pure, sans bosses ou caractère. Peu importe les paramètres de votre outil de calligraphie : vous pouvez utiliser le préréglage Wiggle ou Splotchy, ou avoir des valeurs personnalisées pour créer un trait frénétiquement aléatoire, mais vos points seront toujours circulaires. Utiliser le préréglage Dip Pen pour un style de calligraphie classique, avec des lignes angulaires qui conviendraient à un point en forme de diamant ? Non, vous obtenez toujours un cercle. |
**A far larger – or rather, smaller – problem is the size of the dots. They’re tiny! Even the large ones. Here are four examples: each is drawn using the Marker preset, with the width set to 25, 50, 75 and 100. In each case, I’ve drawn a single calligraphic stroke, followed by a standard dot, then a large dot. | **A far larger – or rather, smaller – problem is the size of the dots. They’re tiny! Even the large ones. Here are four examples: each is drawn using the Marker preset, with the width set to 25, 50, 75 and 100. In each case, I’ve drawn a single calligraphic stroke, followed by a standard dot, then a large dot. | ||
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Un problème beaucoup plus important - ou plutôt, plus petit - est la taille des points. Ils sont minuscules ! Même les plus gros. Voici quatre exemples : chacun est dessiné en utilisant le préréglage Marker, avec une largeur fixée à 25, 50, 75 et 100. Dans chaque cas, j'ai dessiné un seul trait calligraphique, | Un problème beaucoup plus important - ou plutôt, plus petit - est la taille des points. Ils sont minuscules ! Même les plus gros. Voici quatre exemples : chacun est dessiné en utilisant le préréglage Marker, avec une largeur fixée à 25, 50, 75 et 100. Dans chaque cas, j'ai dessiné un seul trait calligraphique, | ||
- | Comme vous pouvez l' | + | Comme vous pouvez l' |
**It seems obvious to me that the dot sizes should be far closer to the width of the line. Perhaps 75% of the width for a small dot, and 150% for a large one. As it stands, this feature is mostly useless. You could scale the dots up after drawing, but they’ll still be pure circles with none of the character of your selected pen. And quite honestly, if you have to manually scale the circles anyway, then you may as well just draw them using the circle tool after completing the rest of your lines.** | **It seems obvious to me that the dot sizes should be far closer to the width of the line. Perhaps 75% of the width for a small dot, and 150% for a large one. As it stands, this feature is mostly useless. You could scale the dots up after drawing, but they’ll still be pure circles with none of the character of your selected pen. And quite honestly, if you have to manually scale the circles anyway, then you may as well just draw them using the circle tool after completing the rest of your lines.** | ||
- | Il me semble évident que la taille des points doit être beaucoup plus proche de la largeur de la ligne. Peut-être 75 % de la largeur pour un petit point, et 150 % pour un grand. Dans l' | + | Il me semble évident que la taille des points doit être beaucoup plus proche de la largeur de la ligne. Peut-être 75 % de la largeur pour un petit point, et 150 % pour un grand. Dans l' |
**Circle Tool | **Circle Tool | ||
On the subject of the circle tool, there’s been one small but welcome addition. As you probably know, you can move the round handles on a circle or ellipse to open the shape out, forming arcs (when the mouse is released inside the shape) and segments (when the mouse is released outside the shape). You can toggle between these, and a completely closed shape, from buttons in the tool control bar. | On the subject of the circle tool, there’s been one small but welcome addition. As you probably know, you can move the round handles on a circle or ellipse to open the shape out, forming arcs (when the mouse is released inside the shape) and segments (when the mouse is released outside the shape). You can toggle between these, and a completely closed shape, from buttons in the tool control bar. | ||
+ | |||
The new addition is the ability to create chords – arcs where the two ends are joined with a straight line. There doesn’t appear to be an on-canvas method for doing this, but if you create an arc or segment, you can switch it to a chord using a new button on the tool control bar. It’s a small addition, but good to have nevertheless.** | The new addition is the ability to create chords – arcs where the two ends are joined with a straight line. There doesn’t appear to be an on-canvas method for doing this, but if you create an arc or segment, you can switch it to a chord using a new button on the tool control bar. It’s a small addition, but good to have nevertheless.** | ||
L' | L' | ||
- | En ce qui concerne l' | + | En ce qui concerne l' |
- | La nouvelle addition est la possibilité de créer des cordes - des arcs où les deux extrémités sont jointes par une ligne droite. Il ne semble pas y avoir de méthode « sur le canevas » pour faire cela, mais si vous créez un arc ou un segment, vous pouvez le changer en corde en utilisant un nouveau bouton sur la barre de contrôle des outils. C'est un petit ajout, mais c'est quand même bien d'en avoir un. | + | |
+ | La nouvelle addition est la possibilité de créer des cordes - des arcs où les deux extrémités sont jointes par une ligne droite. Il ne semble pas y avoir de méthode « sur le canevas » pour faire cela, mais si vous créez un arc ou un segment, vous pouvez le changer en corde en utilisant un nouveau bouton sur la barre de contrôle des outils. C'est un petit ajout, mais c'est quand même bien de l' | ||
issue163/inkscape.1606919321.txt.gz · Dernière modification : 2020/12/02 15:28 de d52fr